| The Independents: Britain's new cultural entrepreneurs C Leadbeater Demos, 1999 | 710 | 1999 |
| Not so cool Britannia: The role of the creative industries in economic development K Oakley International journal of cultural studies 7 (1), 67-77, 2004 | 492 | 2004 |
| Include us out—economic development and social policy in the creative industries K Oakley Cultural trends 15 (4), 255-273, 2006 | 345 | 2006 |
| Cultural policy D Bell, K Oakley Routledge, 2014 | 309 | 2014 |
| The disappearing arts: Creativity and innovation after the creative industries K Oakley International journal of cultural policy 15 (4), 403-413, 2009 | 227 | 2009 |
| Were New Labour’s cultural policies neo-liberal? D Hesmondhalgh, M Nisbett, K Oakley, D Lee International journal of cultural policy 21 (1), 97-114, 2015 | 198 | 2015 |
| Culture, economy and politics: The case of New Labour D Hesmondhalgh, K Oakley, D Lee, M Nisbett Springer, 2015 | 191 | 2015 |
| The Routledge companion to the cultural industries K Oakley, J O'Connor Routledge, 2015 | 168* | 2015 |
| Good work? Rethinking cultural entrepreneurship K Oakley Handbook of management and creativity, 145-159, 2013 | 164 | 2013 |
| Learning to labour unequally: Understanding the relationship between cultural production, cultural consumption and inequality K Oakley, D O'Brien Social Identities 22 (5), 471-486, 2016 | 126 | 2016 |
| The art of innovation: How fine arts graduates contribute to innovation K Oakley, B Sperry, AC Pratt Nesta, 2008 | 118 | 2008 |
| Cultural capital: Arts graduates, spatial inequality, and London’s impact on cultural labor markets K Oakley, D Laurison, D O’Brien, S Friedman American Behavioral Scientist 61 (12), 1510-1531, 2017 | 106 | 2017 |
| The dance goes on forever? Art schools, class and UK higher education M Banks, K Oakley International Journal of Cultural Policy 22 (1), 41-57, 2016 | 100 | 2016 |
| Cultural value and inequality: A critical literature review D O'Brien, K Oakley Arts and humanities research council, 2015 | 97 | 2015 |
| ‘The public gets what the public wants’? The uses and abuses of ‘public value’in contemporary British cultural policy DJ Lee, K Oakley, R Naylor International Journal of Cultural Policy 17 (3), 289-300, 2011 | 95 | 2011 |
| From Bohemia to Britart–art students over 50 years K Oakley Cultural Trends 18 (4), 281-294, 2009 | 93 | 2009 |
| The real deal: What young people really think about government, politics and social exclusion T Bentley, K Oakley Demos, 1999 | 93 | 1999 |
| London’s creative economy: an accidental success? J Knell, K Oakley Work Foundation, 2007 | 88 | 2007 |
| Spin-offs and start-ups in UK universities D Hague, K Oakley Universities UK, 2000 | 85 | 2000 |
| In its own image: New Labour and the cultural workforce K Oakley Cultural Trends 20 (3-4), 281-289, 2011 | 76 | 2011 |
Melissa NisbettKing's College LondonVerified email at kcl.ac.uk
